![]() ![]() Variaudio 3 lifted the whole concept to a new level, allowing you to fix any pitch issue without switching between different tools. ![]() Natural sounding pitch adjustments allowed you to endlessly experiment with different harmonies. Even the previous version of Variaudio proves to be a real lifesaver, especially when working with different harmony variations, as it allows you to tame or even harmonize any vocal line. With the new version it gets even better, offering far more than similar software on any other DAW. It has saved a great many vocal takes on my compositions. That’s understandable because Variaudio was already one of the best pitch correction tools on the market. Thankfully, Cubase 10 finally implemented some of those really cool improvements and options, bringing it up to date, adding functions that can speed up workflow drastically.Įveryone’s talking about Variaudio 3. I’ve spent many years working with this DAW, but there are some really user-friendly things that some other DAWs have implemented in the meantime, and Steinberg somehow didn’t follow suit with their previous version. I had a long conversation with one of the Steinberg developers at their Musikmesse stand, talking about all the things that I still lack in Cubase. Nothing appealed to me enough to make me start thinking about the upgrade. I skipped version 9 of Cubase, as even though it offered some new and interesting solutions and improvements. ![]() So, let’s take the new features of Cubase 10 for a test drive. A round number brings some long-awaited solutions. ![]()
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